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Criticism, Performance, and the Passions in the Eighteenth Century
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Eighteenth-century theatre critics reserved their highest praise for the transitions of a play, recognising its most striking passages as moments of larger sequential transformation. Through a recovery of this perspective, scholars of theatre and literary culture gain renewed understanding of performance, the passions, and criticism in the 1700s.
Criticism, Performance, and the Passions in the Eighteenth Century