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Music, Experiment and Mathematics in England, 1653–1705
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Līdz Benjamin Wardhaugh
Apraksts
How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able to persuade the Royal Society that a musical performance could constitute a scientific experiment? Or that the judgement of a musical audience could provide evidence for a mathematically precise theory of musical tuning? This book presents answers to these questions.
Music, Experiment and Mathematics in England, 1653–1705